Laidler, P (2016) Revisiting Richard Hamilton’s Typo-Topography of Marcel Duchamp’s Large Glass, Print Quarterly, Vol XXXIII / No1, pp 18-26 ISSN 0265-8305
The Journal article Revisiting Richard Hamilton’s Typo-Topography of Marcel Duchamp’s Large Glass in the March 2016 edition of Print Quarterly extends upon a case study from my PhD thesis and comments upon the contribution of the University as a collaborator and publisher of fine art prints.
The production of fine art prints has a longstanding relationship with the collaborative print studio, where artists work together with master printers to realize and produce printed artworks. The collaboration between artist and print studio has predominantly been one of facilitation, where the artist is able to access specialist equipment and technical expertise with the tools, materials and operations of a particular print studio. What this involves and what the relationships are has varied between print studios and even between the master printers of a studio. This article will discuss the production of an inkjet printed edition with the artists Richard Hamilton using the collaborative print studio model within a University setting.