Laidler, P. (2018) Printed Conversations & Collaborative Undertakings, g&e Print and Art Edition Magazine (www.grabadoyedicion.com), ISSUE 60, pp 30-43 ISSN 1886-2306
Recently wrote some words for the Madrid based Print and Art Editions Magazine g&e. The article reflects on conversations that I have had with a number of artists about the impact of digital technology on physical practice(s) in the graphic arts. All conversations were developed as part of collaborative studio production at the CFPR. The work enabled the artists and myself to produce a series of digitally mediated print editions that revealed the inner workings of realising ideas in print. The studio work and conversations also formed the curatorial premise behind the Just Press Print exhibition that traveled around the USA between 2016-18.
Traditionally when a print studio approaches an artist about producing a print edition, the studio director or master printer would often show the artist a process, material or tool that they may not have encountered before. This technically-led approach can sometimes offer a different, new or novel option for the artist, and is often considered to be the main collaborative contribution of the print editioning studio. The collaborative print studio model has been adopted at The Centre for Fine Print Research (CFPR), part of the University of the West of England, as a method to explore processes and methodologies associated with creative and applied practices in print. As a researcher, printer and publisher at the CFPR the print studio (as research space) is an ideal setting to initiate practice related dialogues that are predicated in print. This approach has been central to my research inquiries and subsequent curatorial considerations when unearthing insights that are unique to the act of making. More specifically, the introduction of digital technologies within this environment helped forge a curatorial premise and selection of artists for the exhibition Just Press Print.