Projects

Print on the wall

Curated Traveling Exhibition: The purpose of this curation project is to bring Just Press Print, a cutting-edge group exhibition from the Centre for Fine Print Research (CFPR) at the University of West England, Bristol (UWE, Bristol) to Maryland Institute College of Art (MICA) in Baltimore, MD; and to engage local, national, and international audiences through […]


Master’s of the Printverse

Collaborative Print Studio Project: On numerous occasions I have witnessed academics, artists, commentators and students make links between new print technologies and Science Fiction. Whether or not this is a light hearted connection it is undoubtedly a reoccurring phenomenon for example; Sci Fi and Print from Printeresting, Sci Fi inspired Workshops at MIT, RISD & Brown and Workshop […]


Donwoods Woods

Collaborative Print Studio Project A little over a year ago I began discussing the possibility of producing a print edition with the artist Stanley Donwood as part of CFPR Editions. A year later we were pleased to edition two new laser engraved artworks (February Holloway, 2013 & Wait here we will come for you, 2013) that later coincided with Donwood’s […]


Visualising Colour Tends

From collaborative print studio project to research bid: In 2011 I invited UK based artist Arthur Buxton to produce a limited edition fine art print with CFPR Editions. The invitation was led by my preoccupation with artworks / artefacts that traverses the physical & digital divide and how this post digital space maybe located within a Graphic Arts discipline. In the case of Arthur […]


The seed of an idea

Collaborative Print Studio Project: Publishers and Print Studio’s will approach artists to produce editions for a range of different reasons that may include; long standing friendships, a studio specialism, economic benefits or for esteem indicators to name but a few. CFPR Editions is situated within a University context and as an academic who seeks to […]


Just Press Print

Curated Traveling Exhibition: Over the last 25 years we have seen new digital tools and processes enter the traditional domain of the collaborative print studio. These developments have, to some degree brought into question the role of the traditional print studio model if we consider the ubiquitous nature of digital resources and their impact upon […]


CFPR Editions

Fine Art Print Publishing Project. The collaborative print studio has had a profound impact upon the production and realisation of some of the most innovative prints within the discipline of fine art printmaking. Traditionally these activities have centred upon the hand and mechanical print, two cornerstones of the fine art print industry that may have less persuasion in the digital age. […]


Shock and Awe Project

Collaborative Print Project After the successful printing of Richard Hamilton’s Typo-Topgraphy of Marcel Duchamp’s Large Glass in 2004 the artist returned to the CFPR studio to produce a number of further inkjet printed works. The latter of these works was an ink-jet on canvas print entitled Shock and Awe 2010. The project was developed in […]


Scape Project

Collaborative Print Studio Project: In 2007 I worked with the artist Neeta Madahar (represented by Purdy Hicks Gallery, London) on a two month long project that comprised of practices relating to photography, performance and printmaking. The collaborative project proposed by artists Neeta Madahar and Jo Lansley brought together their practices in photography and performance, the […]


Typo Topography Project

Collaborative Print Studio Project: I have always had a fascination with copies, reproductions, facsimilies, replica’s, translations and multiples in the visual art’s (and beyond). Perhaps an obvious link as to why I work in print. Anyway a few years ago I was incredibly fortunate to work on a fine art digital print edition with the late artist […]


Layering space

Collaborative Print Studio Project: Going back some years with this print studio collaboration, and although inkjet technology has advanced somewhat I believe the projects sentiments are still valid: Thinking through making and working outside of industrially defined print parameters. In 2003 I worked as the Master Printer on a residency program that was organised by the CFPR […]