I was recently invited to write and illustrate an article for the Unconventional Cinematic Adventures Magazine Beneficial Shock. Each issue sets a theme and cinematic perspective for writers and illustrators to research and create responses of an unconventional nature. The first two issues have been under the themes of food and the mind. The third issue presents sex as the themed topic. Needless to say I pitched a technological angle that referenced SciFi – keeping in mind that all good Science Fiction entertains possible futures!
Originally titled as Simplistic Summits & Technological Plummets: On the edge of the Uncanny Valley the written component adopted a speculative aesthetic theory that was applied to the development of the replicant – using the original Blade Runner film. The role of the visual was not to necessarily ‘illustrate’ the text but to continue the speculative voice within the writing. The realisation of this illustrative approach considers existing methods and aesthetics that one would associate with ‘idea generation’. The subsequent adoption of the maquette seemed like an appropriate form – as an object that embodies possibility. Similarly the method of making aligned with the development of untested thoughts and the spontaneity associated with bricolage.
I also thought about having to write alongside ‘proper writers’, not academics that write but writers who’s art / craft is the written word. Subsequently found myself writing ‘… as a visual speculator’. Not compensating at all!