The continuation of the student project will include UCM Fine Arts students and others from various Spanish and international educational institutions. Fifteen students will participate in the project, whose graphic projects have previously been selected by a committee of experts, including the director of the Ankaria Foundation, Isabel Elorrieta, and the vice-dean of culture of the Faculty of Fine Arts, Margarita González. The aim of the symposium is to promote the creation and dissemination of creative and research work on contemporary graphic art and its relationship with technologies.
Laidler, P (2017) Collaborative Print Studio, g&e Print and Art Edition Magazine (www.grabadoyedicion.com), ISSUE 55, pp 27 – 40 ISSN 1886-2306.
The article Collaborative Print Studio in the March 2017 edition of the ‘g & e Print and Art Edition Magazine’ discusses the concept of the master printer and the collaborative model within the discipline of Printmaking. These precedents are then described in relation to the introduction of digital technologies and the development of a specialist digital print studio that I initiated at the Centre For Fine Print Research (UWE) in 2013.
The collaborative print studio has had profound impact upon the production and realisation of some of the most innovative prints within the discipline of fine art printmaking. Historically an artist with little understanding of the print process or access to print facilities could seek the technical knowledge and craft sensibilities from a master printer. In some instances, these unique collaborative pursuits redefined production methods and push the boundaries of what was previously thought possible. These historical precedents have been established through mechanical modes of production and have contributed to defining the roles, expectations, production, publication and artisanship of the collaborative print studio.