Recently had the pleasure of publishing a third fine art print edition with the artist Stanley Donwood. On this occasion I was interested in returning to our digital edition roots in inkjet printing – where it all began! After discussing this nostalgic trip Donwood decided that it would be in keeping for him to do the same. More over the artist had recently cleared out one of his studio’s, where he had uncovered an archive of preparatory work on the OK Computer Album cover – for the British Band Radiohead. Needless to say it seemed fitting that we would edition one of Stan’s early digital collage’s for our next CFPR Editions print.
Full Print edition details below:
EDITION SIZE: 33
IMAGE DIMENSIONS: W 50 cm x H 66.5 cm
SUBSTRATE DIMENSIONS: W 56 cm x H 75cm
MEDIUM: Pigmented Inkjet Print
SUBSTRATE: Somerset Velvet Enhanced
Oh yeah if you are interested in purchasing one then you can do so here
On numerous occasions I have witnessed academics, artists, commentators and students make links between new print technologies and Science Fiction. Whether or not this is a light hearted connection it is undoubtedly a reoccurring phenomenon for example; Sci Fi and Print from Printeresting, Sci Fi inspired Workshops at MIT, RISD & Brown and Workshop 4 at VCU Qatar. I have tentatively explored similar themes in my own work but have always wanted to broaden this connection beyond my own thinking / making. More recently these sentiments have begun to take shape as part of a CFPR Editions collaborative print studio production, after a few conversation with Sci-Fi inspired artist Ben Rowe . I am therefore pleased to say that we have undertaken a collaborative project with a view to turning one of Rowe’s remarkably detailed sculptures into a limited print edition.
Ben Rowe describes the process behind his work, in part, as a ‘morphing of the digital world into a physical object,’ the intrigue and interest in the collaboration lies in the reimagining of the reversal of that process. In this instance the object is digitally captured before being rendered back into the physical as an analogue print edition. After visiting Ben in his Spike Island studio (studio 43) and discussing ideas in the following weeks we decided that the sculpture titled Batteries Not Includedwould be the first work to be editioned as a relief print.
In this instance the print project is the epitome of a collaborative studio endeavor when considering all of the contributors.
Artist: Ben Rowe
Project Initiator: Paul Laidler
Photographic Capture: Andrew Super
Digital File Preperation: Richard Falle
Flexo Plate Production: John McNaught
Relief Printing: Andrew Super